![]() The Paris Ateliers closed as World War II loomed in 1939, and didn’t open again until 1948, offering travel-study internships in Paris. “The value of associating with the finest examples of the periods in decorative art, the adaptation of which is our national problem, needs no comment.” “France, more than any country, has been the center of artistic inspiration since the 16 th century,” said Frank Alvah Parsons at the time. The classes were soon taught in a building on the Place des Vosges, the oldest square in the city. ![]() Classes included architecture, interior design and clothing design. Frank Alvah Parsons, then dean of the New School of Fine and Applied Art, inaugurated the Paris Ateliers in 1921, the first American school of art and design in France. There is less variety in the subjects taught in France, due to a simple issue of scale.īy opening its Parisian campus in 2013, Parsons reestablished a link with a chapter in its history that began more than 90 years ago. The school will launch a program called One Degree, TwoĬities around the same time, which will enable students to divide their curriculum between Paris and New York. The annual tuition fees for Parsons Paris will be 32,000 dollars in September 2016, compared with 43,500 dollars for the American branch. ![]() “I’m sure it will transform the way I see fashion.” Much like Ruben and Juliana, many students have a solid international background. It is so much cheaper to travel in Europe than within the United States.” Juliana was born in Colombia, but spent her entire life in the U.S.A., and also graduated from DASH: “Parsons Paris was an opportunity for a change of scenery,” she says. Since I arrived here 18 months ago, I have been to London, Belgium, Spain, and Germany. “I love the idea of living in France,” he says. Ruben was born in Belgium and lived in Cuba until he was four, but grew up in Miami where he studied at the prestigious Design and Architecture Senior High School (DASH). The remaining students come from a range of different countries, including Saudi Arabia, Latvia, Thailand and Kyrgyzstan. The 40 other nationalities include Chinese (10) and French (8) in second and third position, followed by British (5) and Korean (4). students among the 137 registered in September 2015 (compared with around 4,200 in New York). The campus in the French capital is largely home to American students: The school recorded 63 U.S. Susan Taylor-Leduc, the dean of the school, thinks it is exactly this innovative Anglophone take on design education that students are looking for at Parsons, both in New York and Paris. “Parsons works closely with the fashion industry.” “Our strength is drawn from our alumni,” says Jasonpaul McCarthy. But fashion is the discipline that pushed the school into the spotlight, ever since designers such as New Yorkers Marc Jacobs and Donna Karan, and more recently Alexander Wang – all former students – rose to fame in the 1980s and 1990s. The Parsons School of Design was founded in New York City in 1896, teaching classes in urbanism, architecture, communication, photography and industrial design. Designing a dress no longer means just producing a piece of clothing. Today’s fashion designers also have to be theorists. As to why the students do not start practical classes from the moment they arrive, Jasonpaul McCarthy, director of the Fashion Design Program, has the answer: “They first have to amass their own cultural baggage, with classes in social sciences and art history, for example. This weekly, five-hour class called “Creative Technical Studio” shows second-year students how to make clothes. There is too much fabric on the shoulder, and the armhole is too low: “It’s very pretty, but if you wear that piece you won’t be able to raise your arms,” she says kindly. As she watches her work, the professor Marion Richard draws parallels with the Japanese designer Issey Miyake before correcting certain details. Two large circles, one around the stomach and the other on the back, have been cut out of the fabric he is using to dress a mannequin.Ī little further on, another student is pinning a white fold of fabric. This science enthusiast is exploring the theme of black holes. She’s practicing chiaroscuro, with a mind to use it in her textile designs. Juliana, 19, is sporting a tartan skirt and red lipstick, and is scribbling drawings in her sketchbook. On this particular Monday, some 15 students are bustling around the fourth floor of Parsons Paris, located in a former apartment building at 45 Rue Saint-Roch.
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